Remove frequencies10kHz and 20 kHz and continue to experiment with freuencies betwen 5 kHz and 10 kHz. Using a low pass sweep, begin removing the high end from the hat so that it no longer has any rich frequencies that sound out of place in a Lofi beat. When you have the sequence of your hat down, insert an EQ onto your hi-hat channel. Crash hats are no good, and open hats may be too full too. With this principle in mind, find a hi-hat sample that is gentle. Use samples that aren’t overpowering so your melody/loop is clear to your listener. This is because the sounds have been thinned out in order to sound like a 90s cassette in an old car stereo. When listening to Lofi, you’ll notice that it sounds old and pretty dated. But this is only the technical perspective. We want samples that take up little room in the high end so our melody can still be clearly audible. Throughout our Lo-fi drum-making process, we’re going to use samples that aren’t overpowering. To begin making our Lo-fi drum loop, we’re going to work from the top down.
Rather, we want them to carry the beat while not removing it from our melody and the main loop. We’re approaching the job with a minimal style in a minimal style in mind.īy minimal, we mean we don’t want our Lo-fi drums to be dominant in the mix. There is more than one way to make Lo-f drums. To do that, we better start talking about how to make Lo-fi music. The “ Lofi Fruits” playlist by Strange Fruits Music attracts almost four million followers. Lo-fi music continues to rise in popularity.
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